This is a montage of the inner-workings of FORM, a film by J. Scuderi.
From a technological perspective, humanity has accomplished a great deal of progress in a short amount of time. Through mobile devices and other means, infinite troves of information are accessible . We have the ability to speak to one another across the globe in a matter of nanoseconds. We can print in three dimensions and visualize thought through refined digital manipulation. DNA has been sequenced and life expectancy has been expanded. We can travel further faster and countless other achievements utilizing the power of technology.
As the scope of our knowledge reaches new heights, we however, are still young as a species and in such a state, rather immature. With all of our gained knowledge about the world inhabit, and the universe we exist in, the most powerful nations on earth choose to use technology to create terrifying weaponry, fight over perceived territory, horde riches and in many cases, allow singular elected leaders and dictators to control power over decisions that affect all such as global warming, hunger, fuel and basic human rights.
As the scope of our knowledge reaches new heights, we however, are still young as a species and in such a state, rather immature. With all of our gained knowledge about the world inhabit, and the universe we exist in, the most powerful nations on earth choose to use technology to create terrifying weaponry, fight over perceived territory, horde riches and in many cases, allow singular elected leaders and dictators to control power over decisions that affect all such as global warming, hunger, fuel and basic human rights.
VIEW THE ORIGINAL FILM HERE:
vimeo.com/307907277
vimeo.com/307907277
STORYBOARD
MUSIC
The music for FORM was the DNA of this visual initiative. The track came together over a period of about four months while the visual end of the video was being built.
The following is the full AUDIO track by Jae Bordley.
JAE BORDLEY is a Composer, Sound Designer and Sound Editor.
The following is the full AUDIO track by Jae Bordley.
JAE BORDLEY is a Composer, Sound Designer and Sound Editor.
AUDIO TRACK PRODUCTION
JS PLACEMENT TEXTURES FOR TUNNEL - FREE APPLICATION HERE: LINK
LANDSCAPE MODEL
PILOT MODEL
SHIP MODEL
DESERT OPEN / CLOSE SEQ NOTE
SHIP SKETCH CONCEPT
UI / UX GRAPHICS - HARD AND SOFT EDGE STYLES
FLOWER PARTICLES
CAM TEST
To illustrate the idea of using technology for creation rather than destruction Many references were in the back of my mind through the design process - Most prominently being at the climax of the film during the creation of the FLOWER.
Initially, images of the first atomic bomb test came to mind - arguably some of the most prolific and intelligent human beings gathered on that fateful day to witness the culmination of knowledge and rather than utilizing that great power for human consideration and peace, one of the most destructive forces on earth was born. The traveler in FORM is awash with a bright light, but rather than it emanating from a nuclear blast, the traveler is witness to the creation of life.
Initially, images of the first atomic bomb test came to mind - arguably some of the most prolific and intelligent human beings gathered on that fateful day to witness the culmination of knowledge and rather than utilizing that great power for human consideration and peace, one of the most destructive forces on earth was born. The traveler in FORM is awash with a bright light, but rather than it emanating from a nuclear blast, the traveler is witness to the creation of life.
CREATION VS. DESTRUCTION
Photographers and reporters gather near Frenchman Flat to observe the Priscilla nuclear test; June 24, 1957
THE SHIP
The other less obvious reference was the “ship.” It was meant to be an interpretation of the “Obelisk” from Stanley Kubrick’s masterpiece, “2001, A Space Odyssey.” The elegant and simplistic design had to be the complete opposite of the roughly barren, sun-scorched environment. A kind of reflection of where humanity may be due to climate change.
The other less obvious reference was the “ship.” It was meant to be an interpretation of the “Obelisk” from Stanley Kubrick’s masterpiece, “2001, A Space Odyssey.” The elegant and simplistic design had to be the complete opposite of the roughly barren, sun-scorched environment. A kind of reflection of where humanity may be due to climate change.
Knowledge is our greatest responsibility to cherish and pass on to the next generation.
2001: A Space Odyssey (1968) MGM / Stanley Kubrick Productions